photo credit: Stephanie Diani

Named among Time magazine’s “100 Innovators for the Next Wave,” Suzan-Lori Parks is one of the most acclaimed playwrights in American drama today. She is the first African-American woman to receive the Pulitzer Prize in Drama, and is a MacArthur “Genius” Award recipient.

She’s been awarded grants by the National Endowment for the Arts, Rockefeller Foundation, Ford Foundation, New York State Council on the Arts and New York Foundation for the Arts. She is also the recipient of a Lila-Wallace Reader’s Digest Award, a CalArts/Alpert Award in the Arts, and a Guggenheim Foundation Grant.  She and is an alum of New Dramatists and of Mount Holyoke College.

Parks’ project 365 Days/365 Plays (where she wrote a play a day for an entire year) was produced in over 700 theaters worldwide, creating one of the largest grassroots collaborations in theater history. Her plays include Topdog/Underdog (2002 Pulitzer Prize winner); The Book of Grace; In the Blood (2000 Pulitzer Prize finalist); Venus (1996 OBIE Award); The Death of the Last Black Man in the Whole Entire World; Fucking A; Imperceptible Mutabilities in the Third Kingdom (1990 OBIE Award); and The America Play.

Parks has written numerous screenplays including Girl 6 for Spike Lee, and adapted Zora Neale Hurston’s Their Eyes Were Watching God for Oprah Winfrey Presents.

Parks’ first novel, Getting Mother’s Body (Random House, 2003), is a novel with songs and is set in the West Texas of her youth. Her adaptation of The Gershwin’s Porgy and Bess won the 2012 Tony Award for Best Revival of a Musical. Her newest plays, Father Comes Home From The Wars (Parts 1, 2 & 3)—set during the Civil War—was awarded the Horton Foote Prize, the Edward M. Kennedy Prize for Drama as well as being a 2015 Pulitzer Prize Finalist. Currently performing Watch Me Work, a free weekly writing workshop, open to artists of all disciplines, Parks teaches at New York University, and serves at the Public Theater as its Master Writer Chair.

Parks credits her mentor James Baldwin for starting her on the path of playwriting. One of the first to recognize Parks’ writing skills, Mr. Baldwin declared Parks “an astonishing and beautiful creature who may become one of the most valuable artists of our time.”